Blue lick over the a chord
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Blues Rock Soloing Over A Major Chord Progression
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This can be played over an A7 Chord. Blues Licks No.7 Another BB King classic - note how the G# works fine over E7, but has to move down to G when the A7 comes along. P1 - Lick 2 This is a real classic lick, most used by the incredible Jimi Hendrix, this will help you learn to mute the string after the bend because if you mess that up it will sound awful! P1 - Lick 3 This is probably one of the most used licks in the Blues vocabulary!
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Lick 1 works over the A7 because of the bend to the minor 7 interval and the bend up to the Major 3 rd. Lick 2. Lick 2 works over a Dominant 7 chord and in this case we're thinking about the IV in our I-IV-V progression, the venerable D7. These licks can be used in a variety of styles of playing - blues, boogie woogie, jazz, rock, country, etc. Let's check 'em out! Lick #1. The first blues piano lick is two measures long and works over a single dominant chord. We're going to look at it in the key of C (over a C7 chord) in 4/4 time.
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7. Play each lick over and over until you don't have to think about where your fingers go when you play it. 8. When repeating a bass lick, try to think of something else while you are playing it. This will help place the pattern into your subconscious mind and put nature in charge from there. 9. Feh! David Hamburger's 50 Jazz-Blues Licks You MUST Know cuts right to the chase, offering up some of the baddest, bopping-est, funkiest and bluesiest ways to navigate through any shuffle, boogaloo, minor blues or jazz-blues chord changes.
How to play licks in between chords
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This clip I had to listen to a few times. The first take is Tom Harrell improvising over blues changes in Bb I guess. Then it goes into him going over the same blues changes flawlessly in all 12 keys which is very impressive considering how consistently good Tom Harrell sounds on the chord changes in all [ ].
Over a decade later, Stevie Ray Vaughan's ferocious playing on Texas Flood—particularly his Albert King-inspired licks, à la FIGURE 4—provided the blues community with a similar shot in the arm. Note the use of the odd b2nd (F) in an otherwise E minor hexatonic line (E minor pentatonic with an added 2nd: E F# G A B D).
6 Killer Blues Licks (Key of E) This time, I've created a fun lesson for you who want to learn killer blues licks. 6 licks may not sound like a lot, but you see I'm playing these licks over 2 completely different tracks. In some ways, you are getting 2 lessons in one. One advanced and one intermediate.
Click here for Instant access to over lessons NOT on Youtube.. Legendary Licks You Think Are Easy.. hidden neck pattern that will tell you every chord or note in any key - Duration.
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